<?xml version="1.0" encoding="UTF-8" ?>
<modsCollection xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns="http://www.loc.gov/mods/v3" xmlns:slims="http://slims.web.id" xsi:schemaLocation="http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-3.xsd">
<slims:resultInfo>
<slims:modsResultNum>8</slims:modsResultNum>
<slims:modsResultPage>1</slims:modsResultPage>
<slims:modsResultShowed>10</slims:modsResultShowed>
</slims:resultInfo>
<mods version="3.3" ID="5454">
<titleInfo>
<title>The Power of Connection:</title>
<subTitle>Understanding Kitty Pong’s Social Ambitions in  Kevin Kwan’s China Rich Girlfriend (2015)</subTitle>
</titleInfo>
<name type="personal" authority="">
<namePart>Mailani Salsabila</namePart>
<role><roleTerm type="text">Pengarang</roleTerm></role>
</name>
<typeOfResource manuscript="yes" collection="yes">mixed material</typeOfResource>
<identifier type="isbn">20250623</identifier>
<originInfo>
<place><placeTerm type="text">Wonosobo</placeTerm></place>
<publisher>Universitas Sains Al-Qur'an</publisher>
<dateIssued>2025</dateIssued>
</originInfo>
<slims:image>Screenshot_2025-10-24_085544.png.png</slims:image>
</mods>
<mods version="3.3" ID="4696">
<titleInfo>
<title>BIPOLAR DISORDER REPRESENTED IN DPR IAN’S ALBUMS:</title>
<subTitle>(MOODSWINGS IN THIS ORDER (2021), MOODSWINGS INTO ORDER (2022), AND DEAR INSANITY (2023) (A SEMANTIC STUDY)</subTitle>
</titleInfo>
<name type="personal" authority="">
<namePart>Siwi Pramita</namePart>
<role><roleTerm type="text">Pengarang</roleTerm></role>
</name>
<typeOfResource manuscript="yes" collection="yes">mixed material</typeOfResource>
<identifier type="isbn">20240710</identifier>
<originInfo>
<place><placeTerm type="text">Wonosobo</placeTerm></place>
<publisher>Universitas Sains Al-Qur'an</publisher>
<dateIssued>2024</dateIssued>
</originInfo>
<slims:image>52.PNG.PNG</slims:image>
</mods>
<mods version="3.3" ID="4693">
<titleInfo>
<title>WOMEN’S LANGUAGE FEATURES USED BY SOLÉNE IN THE IDEA OF YOU MOVIE (2024) A SOCIOLINGUISTICS STUDY</title>
</titleInfo>
<name type="personal" authority="">
<namePart>Rizki Oktaviani</namePart>
<role><roleTerm type="text">Pengarang</roleTerm></role>
</name>
<typeOfResource manuscript="yes" collection="yes">mixed material</typeOfResource>
<identifier type="isbn">20240710</identifier>
<originInfo>
<place><placeTerm type="text">Wonosobo</placeTerm></place>
<publisher>Universitas Sains Al-Qur'an</publisher>
<dateIssued>2024</dateIssued>
</originInfo>
<slims:image>49.PNG.PNG</slims:image>
</mods>
<mods version="3.3" ID="4675">
<titleInfo>
<title>DEIXIS ANALYSIS OF GABRIEL IGLESIAS’S UTTERANCES IN  STAND-UP COMEDY WE HAVE SO MUCH IN COMMON (2023)</title>
</titleInfo>
<name type="personal" authority="">
<namePart>Mila Meliyana</namePart>
<role><roleTerm type="text">Pengarang</roleTerm></role>
</name>
<typeOfResource manuscript="yes" collection="yes">mixed material</typeOfResource>
<identifier type="isbn">20240710</identifier>
<originInfo>
<place><placeTerm type="text">Wonosobo</placeTerm></place>
<publisher>Universitas Sains Al-Qur'an</publisher>
<dateIssued>2024</dateIssued>
</originInfo>
<slims:image>34.png.png</slims:image>
</mods>
<mods version="3.3" ID="2733">
<titleInfo>
<title>AN ANALYSIS OF POST-TRAUMATIC STRESS DISORDER (PTSD) REFLECTED IN THE MAIN CHARACTER OF JEFFREY DAHMER IN  “MONSTER:</title>
<subTitle>JEFFREY DAHMER STORY” (2022)</subTitle>
</titleInfo>
<name type="personal" authority="">
<namePart>Via Ifani</namePart>
<role><roleTerm type="text">Pengarang</roleTerm></role>
</name>
<typeOfResource manuscript="yes" collection="yes">mixed material</typeOfResource>
<identifier type="isbn">20220617</identifier>
<originInfo>
<place><placeTerm type="text">Wonosobo</placeTerm></place>
<publisher>Universitas Sains Al-Qur'an</publisher>
<dateIssued>2022</dateIssued>
</originInfo>
<slims:image>cover_31.png.png</slims:image>
</mods>
<mods version="3.3" ID="2697">
<titleInfo>
<title>TURN TAKING BY WILL SMITH IN JIMMY KIMMEL LIVE 2019 (ON  ALADDIN AND TURNING 50) AND WILL SMITH IN THE ELLEN SHOW  2019 (FULL INTERVIEW WITH ELLEN)</title>
</titleInfo>
<name type="personal" authority="">
<namePart>Bulan Sari Ramadani</namePart>
<role><roleTerm type="text">Pengarang</roleTerm></role>
</name>
<typeOfResource manuscript="yes" collection="yes">mixed material</typeOfResource>
<identifier type="isbn">20230613</identifier>
<originInfo>
<place><placeTerm type="text">Wonosobo</placeTerm></place>
<publisher>Universitas Sains Al-Qur'an</publisher>
<dateIssued>2023</dateIssued>
</originInfo>
<slims:image>cover_18.png.png</slims:image>
</mods>
<mods version="3.3" ID="1545">
<titleInfo>
<title>LANGUAGE STYLE FOUND IN NOVEL FANGIRL BY RAINBOW ROWEL</title>
</titleInfo>
<name type="personal" authority="">
<namePart>Elin Layinatul Mar'ah</namePart>
<role><roleTerm type="text">Pengarang</roleTerm></role>
</name>
<typeOfResource manuscript="yes" collection="yes">mixed material</typeOfResource>
<identifier type="isbn">20220714</identifier>
<originInfo>
<place><placeTerm type="text">Wonosobo</placeTerm></place>
<publisher>Universitas Sains Al-Qur'an</publisher>
<dateIssued>2022</dateIssued>
</originInfo>
</mods>
<mods version="3.3" ID="1567">
<titleInfo>
<title>AN ANALYSIS OF CODE SWITCHING AND CODE MIXING USED BY MAUDY AYUNDA ON PODCAST OF CXO MEDIA CHANNEL</title>
</titleInfo>
<name type="personal" authority="">
<namePart>Santia Dwi Anissa</namePart>
<role><roleTerm type="text">Pengarang</roleTerm></role>
</name>
<typeOfResource manuscript="yes" collection="yes">mixed material</typeOfResource>
<identifier type="isbn">20220624</identifier>
<originInfo>
<place><placeTerm type="text">Wonosobo</placeTerm></place>
<publisher>Universitas Sains Al-Qur'an</publisher>
<dateIssued>2022</dateIssued>
</originInfo>
</mods>
</modsCollection>