5424
91
10
THE GENTRIFICATION TOWARDS AFRO-AMERICAN URBAN COWBOY REFLECTED IN RICKY STAUB’S CONCRETE COWBOY (2020) MOVIE
Annida Yasfa Azzahra
Pengarang
mixed material
20241009
Wonosobo
Universitas Sains Al-Qur'an
2024
42.png.png
Representation of Beauty in the Wardah Advertisement "Impactful Beauty for the Greater Good" (2024)
Efa Fatmawati
Pengarang
mixed material
20240712
Wonosobo
Universitas Sains Al-Qur'an
2024
41.png.png
TURN-TAKING IN DAEBAK SHOW PODCAST SEASON 3 (2023)
Atika Nurul Aulia
Pengarang
mixed material
20240709
Wonosobo
Universitas Sains Al-Qur'an
2024
41.png.png
THE ARCHETYPE OF MOTHERHOOD REFLECTED IN THE CHARACTER OF MOTHER IN NIKI CARO’S THE MOTHER (2023)
Nyemas Nabila Afsa
Pengarang
mixed material
20240708
Wonosobo
Universitas Sains Al-Qur'an
2024
40.png.png
WOMAN IMAGE CONSTRUCTION IN RYAN COOGLER’S BLACK PANTHER 2:
WAKANDA FOREVER (2022)
Qurotul A’yuni Maharani
Pengarang
mixed material
20240708
Wonosobo
Universitas Sains Al-Qur'an
2024
39.png.png
CHINESE IMMIGRANT PARENTING STYLE IN U.S.A AND ITS EFFECT ON THE MAIN CHARACTER’S PSYCHOLOGICAL CONDITION REFLECTED IN TURNING RED (2022)
Fatiha Zaidatus Salsabila
Pengarang
mixed material
20240716
Wonosobo
Universitas Sains Al-Qur'an
2024
38.png.png
THE IMAGE OF POWERFULL FBI WOMEN IN RED NOTICE MOVIE (2021)
Haniatul Masruroh
Pengarang
mixed material
20240626
Wonosobo
Universitas Sains Al-Qur'an
2024
37.png.png
THE DEHUMANIZATION OF EDUCATIONAL SETTING IN MATHEW WARCHUS’S ROALD DAHL'S MATILDA THE MUSICAL (2022) FILM
Sulfia Rizki Agustina
Pengarang
mixed material
20240502
Wonosobo
Universitas Sains Al-Qur'an
2024
36.png.png
HYPERREALITY SYMBOLS IN THE SCHOOL FOR GOOD AND EVIL BY PAUL FEIG (2022)
Vina Qurota A’yun
Pengarang
mixed material
20240702
Wonosobo
Universitas Sains Al-Qur'an
2024
35.png.png
DEIXIS ANALYSIS OF GABRIEL IGLESIAS’S UTTERANCES IN STAND-UP COMEDY WE HAVE SO MUCH IN COMMON (2023)
Mila Meliyana
Pengarang
mixed material
20240710
Wonosobo
Universitas Sains Al-Qur'an
2024
34.png.png