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<title><![CDATA[THE REPRESENTATION OF MONARCHY AND REBELLION:]]></title>
<subTitle><![CDATA[THE  POWER OF STRUGGLES DEPICTED IN THE KING (2019) MOVIE]]></subTitle>
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<namePart>Hendri Purnomo</namePart>
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<namePart>Ana Widiyanti, S.S., M.Hum.</namePart>
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<namePart>Ana Widiyanti, S.S., M.Hum</namePart>
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<namePart>Latifah Dwi Ariani, S.S., M.Hum.</namePart>
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<namePart>Puji Laksono, S.S., M.Hum</namePart>
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<place><placeTerm type="text"><![CDATA[Wonosobo]]></placeTerm></place>
<publisher><![CDATA[Universitas Sains Al-Qur'an]]></publisher>
<dateIssued><![CDATA[2024]]></dateIssued>
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<note>This study attempts to examine how the 2019 David Michod film "The King"depicts revolt and the monarchical order. The film tells the tale of Prince Hal, whosucceeds his father, King Henry IV, as King Henry V. Hal had to deal with a numberof difficulties as a young monarch, such as disagreements with disobedient noblemen.Qualitative approaches are the primary tool used in this study. The 2019 film "TheKing" serves as the primary source of data. The process of gathering data involvedreading, observing, recognizing, categorizing, and choosing pertinent information. Aspart of the data analysis process, the data were presented, clarified, and interpretedusing conflict theory. According to the findings, the film portrays the monarchicalsystem of medieval Europe, in which the king, who holds the throne for successivegenerations, possesses ultimate power. The film also depicts insurrection brought onby dissatisfaction with the king's choices. In addition, the movie looks at how unrestcould be sparked by instability and discontent inside the royal circle.</note>
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