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<title><![CDATA[INTERTEXTUALITY AS DEPICTED IN BEAUTY AND THE BEAST (1991) BY GARY TROUSDALE AND KIRK WISE TO BELLE (2021) BY MAMORU HOSODA]]></title>
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<namePart>Fiska Kurniansa</namePart>
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<namePart>Latifah Dwi Ariani, S.S., M.Hum.</namePart>
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<namePart>Abdur Rofik, S.S., M.Pd</namePart>
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<namePart>Latifah Dwi Ariani, S.S., M.Hum.</namePart>
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<publisher><![CDATA[Universitas Sains Al-Qur'an]]></publisher>
<dateIssued><![CDATA[2023]]></dateIssued>
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<note>The study aimed to analyze: (1) the types of intertextuality shown in Beautyand the Beast (1991) to Belle (2021) by Gary Trousdale and Kirk Wise to Belle(2021) by Mamoru Hosoda, (2) the representation of Kristeva's intertextualitytheory utilizing genotext and phenotext.The study uses the descriptive qualitative method to analyze the filmsBeauty and the Beast (1991) by Gary Trousdale and Kirk Wise and Belle (2021) byMamoru Hosoda as the objective of the research. The procedure of collecting thedata is watching and reading, identifying, classifying, and selecting. The procedureof analyzing the data uses Spradley's content analysis approach, with four deepstages: Domain analysis, taxonomy analysis, componential table, and culturaltheme. The researcher analyzed the data by using Kristeva’s intertextuality andFitzsimmons’s types of intertextuality.The result of the study: (1) the types of intertextuality found in Beauty and theBeast (1991) by Gary Trousdale and Kirk Wise and Belle (2021) by MamoruHosoda is optional intertextuality, obligatory intertextuality, and accidentalintertextuality. And the most common type of intertextuality is optionalintertextuality. (2) Phenotext and genotext representations in both films are foundin several characters in both films. Phenotext in utterances and scenes. Meanwhile,speech intonation and visual expressions that represent several characters as a modeof psychological response are elements of the genotext.
Keywords: Intertextuality, types of intertextuality, phenotext, and genotext,Kristeva, Fitszimmon, Beauty and the Beast, Belle.</note>
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